Black & Gold: Clio Gelpresso Waterproof Liner in Golden Black no. 7

Believe it or not, but for a while this year, I didn't have a single black eyeliner pencil in my stash. While I used to consider black an absolute essential, I actually don't find a huge difference on the eyes between black or any other darker eyeliner shade, be it navy, plum or deep green. However, when I found these Clio Gelpresso Waterproof Pencil Gel Liners ($15 for ) on a deep discount at a sample sale, I couldn't resist picking up the shade Golden Black no. 7, a creamy black shot through with black microglitters.

Clio's Gelpresso Liners are close to cult classic status for many K-beauty lovers, so I was curious to see how they compared to my favorite Pixi Endless Silky Eyeliner Pens (reviewed here) or even Urban Decay eyeliners. The first major difference is the packaging: Clio's pencils are retractable and come with a built-in sharpener at the end. In theory, I'd consider this to be an improvement (because uhm, LAZY), but in practice, I kinda miss that freshly sharpened tip to my pencil liner; yes, you can make the tip a bit finer by using the provided sharpener, but it's not as precise.

I believe there are multiple shades in this range, including neutral and bold shades, in both cream and shimmer/ microglitter finishes. The black base of the shade Golden Black isn't quite as deep and inky as my Marc Jacobs Highliner in Blacquer, especially when smudged or blended out, but I don't really mind that.

In terms of texture and wear, after about a month of use, I have to say this Gelpresso Liner hasn't surpassed the Pixi liners or Marc Jacobs Blacquer for me. For whatever reason, it's just not as smooth and creamy as the other two formulas; it drags and skips just a little bit on the lashline. On my upper lashline, it wears well throughout the day, but for tightlining, it transfers down and smudges at the outer corners within a couple hours (which the Pixi and MJ do as well, but at least feel softer to line with).

I've also tested how well the Gelpresso in Golden Black could withstand vigorous removal with a cotton square soaked in micellar water, and as you can see below, it faded A LOT more compared to the Marc Jacobs Blacquer. It also seems to wear off more when rubbed with a finger, so that's something to consider if you tend to rub your eyes accidentally throughout the day.

For me, while I do find the quality of the Clio Gelpresso in Golden Black to be quite decent, it's definitely not my favorite gel eyeliner pencil I've ever tried. If you like the convenience of a retractable pencil and you can find these on sale somewhere, I think they're a nice option, but I wouldn't go out of my way to seek them out in the future. I would also be interested to see whether the cream (no shimmer or glitter) finish pencils in this range perhaps feel a bit creamier and smoother; in my experience, pencils with microglitter tend to have a somewhat drier texture. Have you tried any of the Clio Gelpressos? What is your favorite black eyeliner pencil?

Aveda Fall 2016 Fōklôr Make-up Collection: Single Eye Colors* and Eye Definers* Review & Swatches

Even though I haven't been wearing a lot of eye make-up lately, I was instantly inspired by the eyeshadows in the Aveda's Fall/ Winter 2016 Foklor Make-up Collection to try some new color combinations on my eyes. The Fōklôr Collection was designed with two eye looks in mind: Sage Smoke, using the Petal Essence Single Eye Colors* in 981 Balsam and 980 Dusted Sage, and Risør Rose with Eye Colors in 982 Chia and 983 Rose Quartz ($15 for a single pan).

I've actually never tried any make-up products from Aveda or even heard much about them in the blogosphere, so I was even more interested to test out the contents of the PR package I was sent. First of all, I was plesantly surprised to see that Aveda's Single Eye Colors are available in pan form - I pretty much depot all of my singles into a free form palette anyway, so to me, single pans without a compact are the most convenient.

Let's start with the Risør Rose color scheme. Chia no. 982 is a very dark brown aubergine shade with a matte finish. In the pan, it looks more like a satin, but it applied matte both in my arm swatch and on the eyes. Out of the four eyeshadows I tested, I was the least impressed with the formula of Chia. The texture is quite stiff and dry and overall, I find this shadow poorly pigmented. I couldn't achieve any depth of color on the eyes even despite multiple layers, and I felt like what I did manage to apply faded significantly throughout the day (tested on top of Too Faced Shadow Insurance).

Rose Quartz no. 983 fared a bit better, although I would also classify it as a rather lightly pigmented shadow. It's a warm rose shade with gold and orange shimmer/ microglitter particles, which gives it somewhat of a rose gold feel on the eyes. Again, the texture wasn't very creamy and I had to press my brush quite hard into the pan to get enough powder on the bristles.

I had much better experience with the two eyeshadows from the Sage Smoke colorway. Balsam no. 981 is a cool-toned dark emerald green with a matte finish. In my heavy arm swatch (applied with a finger), this shadow looks very uneven and patchy, but I found that it applied quite well on the eyes, although again, it's not the darkest, most pigmented green out there. The formula is still quite dry but softer and easier to pick up from the pan.

I was possibly the most excited to try Dusted Sage no. 980. The name of this shadow is spot-on: it is indeed a muted, silvery light sage with a satin or a lightly pearlized finish. However, I was a bit underwhelmed with this eyeshadow's performance: again, it's very lightly pigmented and also quite hard and dry in the pan, which makes it difficult to build it up on the eyes. On my cool-toned skin, it also surprisingly turned a bit more warm than I expected; I couldn't see much of that silvery sheen.

I also received two shades of Petal Essence Eye Definers* ($17 each for 0.04 oz/1.14 g) included in the Fōklôr Collection: Gypsum Gold no. 981 and Slate Shimmer no. 980. Gypsum Gold is a warm gold (pearl/ metallic finish), while Slate Shimmer is a deep charcoal with silver shimmer. In terms of formula, Aveda's Eye Definers seem to be the more standard khol formula for an eye pencil; they're quite firm and don't glide on nearly as easily as the gel-like formulas (e.g. Urban Decay or Pixi) I usually go for. This formula also doesn't really set, although I didn't have issues with either Gypsum Gold or Slate Shimmer migrating throughout the day.

Again, I wish both of these eye pencils were a bit more pigmented; I had to go over my lines several times for the colors to show up properly. I used Gypsum Gold to brighten inner corners of my eyes in combination with the two shadows from the Risor Rose look; however, the overall effect was so sheer and subtle that it didn't even register properly on my camera. I had better luck with Slate Shimmer, which I used in my interpretation of the Sage Smoke look below; I applied a very fine line along my upper lashline and to tightline. I don't think you can really see the silver shimmer all that much but I used it very sparingly - it would show up if I drew a thicker line or blended it out with a brush.

I had a lot of fun playing with eye products included in Aveda's Fall/ Winter 2016 collection, but I have to say I wasn't overly impressed with their performance. I understand that not all eyeshadows have to be deeply pigmented and a lot of make-up wearers prefer sheerer washes of color, but even so I found the dry and hard texture quite difficult to work with. I also prefer the newer gel-like eyeliner pencils to the khol formula, although if you like khols, I think these are a nice option and I love the subtle silver sparkle in the Slate Shimmer shade.

In the photo above, I'm wearing Dusted Sage all over the mobile lid with Balsam in the outer corner; I blended out the crease with Velvet Revolver from Too Faced for a more seamless transition. Like I mentioned earlier, I applied the Eye Definer in Slate Shimmer in a fine line along my upper lashline. On the rest of my face, I'm wearing Clinique Cheek Pop in Heather Pop on the cheeks and Aveda's Nourish-mint Rehydrating Lip Glaze in Pink Lupine* on the lips together with NYX Lip Liner in Nude Suede Shoes. For the base, I used Missha Perfect Cover BB Cream set with bareMinerals Mineral Veil, and NARS Radiant Creamy Concealer in Chantilly under the eyes, and defined my brows with Shu Uemura Hard Pencil in Seal Brown.

What eyeshadow shades have been inspiring you lately? Are you all about the warm neutral trend, or do you wear bolder color accents?

Disclaimer: Products featured in this post are press samples I received from the brand's PR for review consideration. All links are non-affiliate. All opinions are 100% honest and unbiased, no matter if the product featured was purchased with my own money or provided free of charge. Thank you for reading! 

Fall Eyeshadow Update: NYX Hot Singles in Heat and Nude Matte in Dance The Tides

While I may have sworn off buying eyeshadow palettes ever again (here), it doesn't mean I haven't been eyeing any new eyeshadow singles to add to my collection. That's right - even me, a sworn cool undertone lover, have been bitten by the warm eyeshadow bug. And because I've traditionally always gravitated towards silvery taupes and cool browns, I couldn't actually shop my stash to find exactly the shades I had in mind. One sneaky order from Ulta later and I'm a happy owner of two new eyeshadows from NYX: the Hot Singles Shadow in Heat ($4.49 for 0.06 oz) and the Nude Matte Shadow in Dance The Tides ($4.99 for 0.05 oz).

I've only ever owned one other eyeshadow from NYX and that was eons ago when they still came in square packaging (anyone else used White Pearl for a face highlighter before highlighting was such a huge trend?). I actually quite like the updated versions - my plan is to depot these two babies and pop them in my old MAC palette. Interestingly, the Hot Singles have the cute bow detail on the lid, but not the Nude Mattes.

I'm not entirely sure, but I believe all the shades in the Hot Singles range have varying amounts of shimmer - from satins through pearl to even more metallic shades (although not as reflective as the brand's Prismatic Eyeshadows, which give a foiled effect). All of the Nude Mattes are obviously matte finish, but unfortunately the range is limited to very neutral shades of ivory, beige, brown etc. - I really wish the color selection was wider there because I'm currently on the lookout for a killer matte plum shade.

Starting with Heat, the shade I had in mind when I placed that order was a shimmery red berry shade. And in the pan, Heat looks very red, with a slightly more pink berry shimmer shift - this is actually not a very sparkly shade, I would say applied to the eyes the finish is somewhat more satin. The texture of this shadow is quite firmly pressed in the pan but easy enough to pick up on the brush with little to none powder kick-up. I'd say the pigmentation is medium - I definitely own shadows that are a lot more pigmented than this - but it's smooth, easy to blend out or layer for more opacity. I mean, for under $5 at the drugstore, I'm actually rather impressed.

I do wish though that this shade appeared more berry pink on my fair cool skintone; as you can hopefully see in my arm swatch, unfortunately Heat pulls more of a rusty red shade on me. It's obviously darker and a lot more red than my copper shade from Wet n'Wild or a rosy brown Push Up from Too Faced, but it's certainly not a berry. Le sigh.

L-R: NYX Hot Singles in Heat, Wet n'Wild Eyelid shade from Dancing In the Clouds trio, Too Faced Push Up

As for the Nude Matte Shadow in Dance The Tides, I was looking for a very warm chestnut/ cognac brown I could use to slightly deepen the outer corners of my eyes but also in the crease paired with other warm shimmery shades on the lid. I was a little concerned Dance The Tides would end up being a dupe for something I already owned in my stash, but luckily it isn't - it's definitely the most orangey brown I own, and from looking at swatches of the NYX Nude Matte range online, it's the warmest brown in the brand's line-up.

As you can see, on my cool skin it pulls rather orange - even compared to my other two warm matte browns, the Balm's Sultry (depotted from the Nude'Tude palette) and Inglot no. 337. Sultry is more of a yellow camel brown, Inglot 337 is more peachy - both are also lighter in depth. The formula of NYX Dance The Tides is also quite impressive: smooth, creamy, pigmented and blendable, although there is quite a bit of powder kick-up when you press your brush into the pan - although not as much as with my Inglot matte shades. I find it easy to work with and it doesn't fade or get patchy throughout the day (tested on top of eyeshadow primer, as always).

L-R: NYX Nude Matte Shadow in Dance The Tides, theBalm Sultry, Inglot Matte no. 337

Here's a simple look with Heat in the outer corner and Dance The Tides in the crease; I used a metallic copper and gold on the lid from my Makeup Revolution I Heart Chocolate palette. There appears to be a blank spot on one of my eyelids but I think that may have been my fault when I was fixing a mascara smudge with a q-tip. My blush is KIKO Shade Fusion Trio in Natural Rose (here) while the lips are the recently reviewed Ilia Beauty Lipstick in Madam Mina.

I would definitely look into purchasing more shades from the NYX eyeshadow singles range in the future; unfortunately I don't have an Ulta close to where I live and ordering online is always a bit of a gamble. What is your go-to brand for eyeshadow singles? I've been very faithful to Inglot in the past but again, I always prefer to swatch in person before purchasing and getting to a counter is currently a bit tricky...

Sunsets & Berries: Pacifica Power of Love Eye Shadow Palette* Review

Thanks to my Pan That Palette challenge this year, I have not worn or bought an eye palette other than my theBalm Nude' Tude for the past seven months and some change. A lot of you commented how you couldn't even imagine committing to about a dozen of the same shades for such a long time - and I feel you, because eyeshadow boredom has now become a thing for me, and it's painful. Which is why I was happy and excited to be shaken out of my ennui by this new arrival from Pacifica Beauty, the Power of Love Eye Shadow Palette* ($20 for 0.22 oz, available at pacificabeauty.com, ulta.com and Target).

Power of Love is a compact palette of ten coconut-infused mineral eyeshadows, which the brand describes as 'velvety rich, long lasting, creaseless' and having ' a soft, cream-like finish'. Like all of Pacifica products, they're 100% vegan and cruelty-free. The shadows are housed in a slim, streamlined carboard palette with a clear top so that you can see all the shades easily at a glance. One thing that slightly annoys me about the design is that even though the brand lists the shade names on the back of the outer box, the shadows are not actually named within the palette so I have no idea which name goes with which shade if that makes sense - it's like they wanted to name them but didn't commit to doing so all the way through. Huh.

Now, the shade selection is what got me really excited about playing with this palette. It's a predominantly neutral eyeshadow palette (my personal preference) that contains shadows ranging from light to dark in terms of depth, thus making it easy to create an entire look without having to look for complimentary eyeshadows elsewhere. However, it also features some fun pops of color: a khaki green with golden shimmer, a gorgeous wine shade, and a turquoise with a gold sheen. Those combined with the fun hippy packaging make for a lovely summer eyeshadow palette - just the thing I needed.

Unfortunately, as soon as I started swatching these eyeshadows on my arm, I noticed some issues with the formula. In short: the quality is not consistent. Like, at all. Let me break it down for you, starting from the top row, going left to right:

A light peach, shimmer/ pearl finish. Medium pigmentation but smooth and easy to apply.
A warm bronze, shimmer/ metallic finish. Slightly more pigmented than the peach, again very buttery and easy to pick up on the brush and blend out.
A matte beige brown, sheer to medium pigmentation, smooth and blendable.
A satin khaki green with golden sparkles, very sheer, hard pressed in the pan, difficult to pick up on the brush.
A satin berry with pink undertones, sheer, hard pressed in the pan, difficult to build up. Doesn't even come close to the deep wine shade I was expecting when I looked at it in the pan.

A matte navy with a slight purple lean, sheer to medium pigmentation, soft and smooth but not very buildable.
A pinky mauve with a high shimmer/ metallic finish, pigmented, soft, smooth, creamy, a dream to apply and blend out on the eyes. This is THE stand-out shade of the entire palette.
A satin ivory with pale yellow undertones, very sheer, difficult to pick up on the brush or build up on the eyes.
A satin turquoise with golden sparkles, again very sheer and difficult to work with.
A satin/ pearl cream leaning light pink, sheer but a bit more pigmented and easier to apply than the yellowy ivory.

Sooo... Let's see - how many shades from this palette did I actually count as reasonably pigmented? I believe it's 4 (maaaybeee 5) out of 10. That's not great, you guys. And the ones that I said were sheer - they really ARE sheer. What you see in my arm swatches (bare skin, swatched with a clean finger) is sometimes 7+ swipes of the shadow. Who has time to do this many layers on their eyes for the colors to even show up? On top of that, all the sheer shades are quite hard in the pan and all got hard pan on them just from rubbing my finger across the surface during one swatch session. When it came to applying them to my eyes, I got quite a bit of powder kick-up by digging in my brush so hard just to get something onto my lids. Yeah. Not cool.

That being said, I do think I got some really pretty eye looks out of this palette. My first take, which I intended to be a bit more colorful, turned out to be somewhat sunset-over-the-ocean themed. I used the yellow ivory on the inner corners, light peach on the lid and navy in the outer V, blending it all out with the matte beige brown, which by the way is a perfect transition shade for my fair skin. On the lower lashline, I applied the golden turquoise shade; it pulled a bit more green on me than I would have liked so I added a bright cobalt blue pencil liner to my waterline. It turned out quite pretty - but it did take me much longer to execute because I had to keep layering for intensity, and some shades looked a bit more muddy on my eyes than I would have liked (namely the matte navy and the turquoise).

For my second look, I decided to play with the ever so trendy pinky berry shades. I used the lightest pink in the inner corners, the stunning metallic mauve on the lids, and the satin berry in the outer corner and crease, again blending everything out with the matte beigy brown. I accented the lower lashline with the warm bronze and finished the look with a subtle aubergine wing (Pixi Endless Silky Eye Pen in Deep Purple). I really, really liked how it came together, and actually got a lovely compliment on my eye make-up while wearing it ('Excuse me, but your eye look is absolutely stunning! Are you self-taught or did you go to school for make-up? I would love to learn how to do that!). The longevity on both looks (on top of my usual eye primer) was very good and I didn't notice any fading or creasing throughout the day.

So overall, my feelings on the Pacifica Power of Love Palette are pretty ambiguous. On one hand, I wish the quality (pigmentation and texture) were even - or at least somewhat similar - across all the shades. On the other, the few eyeshadows that do have a good formula are absolutely beautiful and make for a gorgeous look on the eyes. But is it worth it to buy an entire eyeshadow palette for just that one stunning make-up look? I don't think so. I will probably be passing this palette on to a loved one who is still a beginner when it comes to eye make-up; at least with those sheerer shadows, it's more difficult to mess up.

What is the one eyeshadow palette you have been reaching for the most this summer? Have you already jumped on the berry eyeshadow trend? I'm seriously considering picking up MAC Cranberry eyeshadow in the near future.

Disclaimer: Product featured in this post is a press sample I received from the brand's PR for review consideration. All links are non-affiliate. All opinions are 100% honest and unbiased, no matter if the product featured was purchased with my own money or provided free of charge. Thank you for reading!

Eyeshadow Dupes: Swatching Shimmery & Metallic Light Pinks, White Golds & Champagne

As you may remember, I have been trying to use up my theBalm Nude' Tude eyeshadow palette as part of a Project Pan That Palette since January of this year (see my latest update here). However, that doesn't mean that I have completely neglected the rest of my stash; while I don't really wear any other shadows than those in the Nude' Tude, the Project has really driven home why I shouldn't be buying any more eyeshadow palettes: I have way too many neutral shades in my stash already, as illustrated in my 'I'm Never Buying Another Eyeshadow Palette Again' ramble here. As an extension of that post, I've been busy playing around with my other shade families and trying to weed out dupes and inferior formulas, and the photos below are the result.

I KNOW. Before you judge me, go sift through your own stash ;)

I have pretty much decided to end my Pan That Palette at the end of August; my baby boy is due to arrive in early October and I'd like to have one month in between to experiment with the rest of my eyeshadow stash. Because of that decision, I have been thinking about what I want to do with the Nude' Tude once I finish the Project, and I've come to the conclusion that there are a few shades in it that I'd like to keep by depotting them into a magnetic palette. The rest will just be tossed in the trash unfortunately - I don't want to pass on half-used or unused but subpar shadows to any of my friends and family. As I was contemplating which shades to depot, I decided to have a quick look at the rest of my eyeshadow collection to see if I had any similar shades already in my Z-Palettes. And then it hit me. DO I EVER.

I was specifically looking for dupes/ comparable shades to theBalm Stand-offish, thus far my most used eyeshadow out of the entire palette, but for more variety, I've also included shimmery (or metallic/ frost/ pearl finish, whatever you want to call it) light pinks and white golds/ ivory shades. To be honest, this is not even the entirety of my stash - I have more shades I could include in both single pans/ depot form as well as other eyeshadow palettes. But anyway, here's what I found:

Sorry, the L-R order isn't the same as my arm swatches for this group: Inglot 397, Stila Academy, Inglot AMC Shine 142

Out of the light pinks, I don't think any of these are actually dupes. Stila Academy has more of a cool undertone than Inglot 397, which is somewhere between a warm light pink and a champagne/ peach. Inglot AMC Shine 142 isn't as soft or pigmented as the other two, but has both a subtle glowing pink duochrome (it wouldn't show up in the photos no matter the angle) and some sparse silver microglitters.

L-R: Fyrinnae Nijiro, RBR Unforgettable Oriole, Marc Jacobs The Ingenue Trio (leftmost shade)

In the white gold/ shimmery ivory color family, I own two shades that are incredibly close but still not complete dupes: Fyrinnae Nijiro has a blue & pink micro sparkle to it under artificial lights where Rouge Bunny Rouge Unforgettable Oriole is more of a typical pearl finish. The Marc Jacobs far left shade from The Ingenue trio (reviewed here) is the odd one out: both darker and more of a satin than metallic finish.

L-R: Too Faced Silk Teddy, theBalm Stand-offish (at the top), Stila Kitten, Wet n'Wild Browbone shade from The Gilded Age trio, MAC All That Glitters

However, I had the most luck (alas) finding dupes in the champagne/ light peach category. Maybe because those shades are the most universally flattering, but I feel like they feature in a lot of palettes, both drugstore and high-end. Let's consider the cult classic Stila Kitten - yes, it's an incredibly soft, smooth, buttery, pigmented shadow. However, as you can hopefully see in my photos, I have two other shades in my stash that are pretty much the same: theBalm Stand-offish and an Eyebrow shade from a LE Wet n'Wild trio called The Gilded Age. Out of these three, I'd say that Kitten still has the best formula; theBalm and Wet n'Wild can be just a tad too powdery/ flakey, but it's nit-picking here. If you have one, you don't need the other two.

Too Faced Silk Teddy (from the Natural Eyes palette) is lighter and more pink than theBalm Stand-offish, Stila Kitten and the Wet n'Wild shadows - I probably could have included it in my light pink grouping. MAC All That Glitters is significantly darker and less metallic than the other four shadows; on me, it's fine as an all over the lid shade, but too dark to be used as a highlight in the inner corners.

As you can see from my little experiment, I definitely do NOT need to depot that Stand-offish shade from my Nude' Tude palette. However, I'm thinking now that maybe I will hold on to it after all, and instead pass on the Wet n'Wild The Gilded Age shade - not because the formula is inferior (they really are the same, you guys), but because I'd rather pass on a lightly used dupe to a loved one and keep half-used Stand-offish, which is also a smaller pan and thus more efficient to store, as a back-up to my favorite Stila Kitten. Not that I really need a back-up... but it's hard to stop hoarding eyeshadows after all these years of collecting. Which one(s) would you give away?

I hope you enjoyed this installment of Shop/ Swatch My Stash. Please let me know if there's a particular group of products or shades you would like to see next: maybe my pinky/ mauve My Lips But Better lipsticks, or my vast collection of taupe eyeshadows, or my bright/ colorful shades. What dupes have you discovered in your stash recently?

Project Pan That Palette 2016: Update #3

It's hard to believe, but I have now been using ONE eyeshadow palette for six months straight! That's half of the year gone wearing the same palette day in day out. I mean... Wow. But yes, another two months have passed, and I wanted to show you my progress. Just to recap, here's how my theBalm Nude'Tude Eyeshadow Palette looked like at the end of April:

My palette after 4 months of use, April 2016.

At that point, after four months of use, I had hit pan on three shades: Sassy, a pearly white, Stubborn, a light pink, and Selfish, a greyed taupe. I also had some dips going on in Snobby, a pale yellow, and Sultry, a warm medium brown - as you can tell, I'd definitely been staying within the lighter half of the palette, which isn't surprising considering my fair skintone as well as my opinion on some of the darker shades in this palette, expressed here. Now here's how my palette is looking today:

My palette after 6 months of use, June 2016.

MOAR progress! I have now also hit pan on Stand-offish, a metallic champagne, and Sultry, my matte crease shade. I have also further expanded the pan on Sassy, and have good dips going on Snobby, Schitzo and Serious. To be honest, I think I'm just milimeters away of hitting pan on the matte black, which I use to either darken my lashline or set my black pencil liner. I have also sporadically used Stubborn, the light pink shade, but the pan hasn't moved really, and I have not touched Selfish since hitting pan - it's not my favorite taupe in general, but I also haven't been feeling very cool-toned eyeshadow looks.

My plan for the next two months is to hit pan on Snobby, Serious and Schitzo - although I feel that this last one will be a bit of a struggle because this shade is firmly pressed in the pan and also has great pigmentation. I would also like to expand the pan on Sassy, Stand-offish and Sultry, and deepen the dip in Sexy, a matte burgundy. Even though I use Sexy multiple times a week to darken the outer corner of my eyes, this shade is pigmented and hard pressed in the pan, so my progress is very slow.

And there you go! My current feelings about panning this palette oscillate between 'OMG, I've never hit pan on so many eyeshadows in my life!' to 'Why the f*ck am I even doing this'. I have realized that there's no way I'm going to finish this palette within the span of a year - I don't even think I would empty it completely within two years. I'm not sure how other 'palette panners' do it, but I just don't use that much eyeshadow in one application. And I'm certainly not going to rock smokey eyes for four months just to use up the dark shades in my palette.

While I'm okay with not finishing the palette and simply putting in my best effort instead to see how far I can get, I often question my motives to continue this Project. I have a lot of eyeshadows I like better than this palette that I have not touched in 6 months, because I'm stubborn like that - once I decide to do a panning project, I want to do it the best I can, even if I would rather wear different products, or a different style of make-up altogether. On the other hand, I'm glad I've embarked on Pan That Palette this year, because the project has very effectively quenched my interest in new eyeshadow palettes, as well as taught me valuable lessons about my own preferences when it comes to eyeshadow. So there's that - I do think it was worth it - but am I still learning new things now, after 6 months of panning? I'm not so sure.

So these are the thoughts running through my mind most days when I open up the Nude'Tude to do my eye make-up. I haven't really come to any conclusions and for now I just keep going, but I do sometimes incorporate other eyeshadows, housed in my small Z-Palette (shown here), to break the routine a little bit. I will tell you now I'm definitely not doing this Project next year - and possibly, never again. I actually seriously question if I should wrap it up at the end of September, before my baby is due - realistically, I don't think I'll be wearing much eyeshadow for the last three months out of the year.

Anyway, how are my fellow panners doing? Do you ace your powder products, or are they always a bit of a challenge? I find all powders pretty hard - even face setting/ finishing powders move very slowly around here, despite daily usage. Do you have any tips?

Shop My Stash: All That Warm Brown, Coppery, Peachy, Orange Eyeshadow Goodness

Warm brown eyeshadows of varying depth and finish are all the rage this year - just look at the palettes that have come out in the past 6 months or so, be it from mainstream or more indie brands. In the past, I tended to shy away from very warm tones on my eyes, because I find them to be rather tricky on very fair, cool-toned complexions. While a metallic copper halo smokey eye looks smashing on someone with a medium/ tan skintone, on me it looks like I'm suffering through a stye or a case of rabid rabbit eyes - I'm sure you know what I mean if you're a fellow pale girl.

However, I've recently been feeling swept up by all the orange/ peach eyeshadow hype; I think it's partially the weather finally warming up, but mostly overdosing on ALL THE TAUPE in the past 2-3 years. I have nevertheless promised myself not to purchase another neutral eyeshadow palette, even if it features some new-to-me shades (as discussed in detail in this post) - and while I'm still allowing myself to pick up a single eyeshadow or two where I think it may benefit my collection, I decided first to shop my stash and see what I already own in the general category of warm neutral shades. I actually really enjoy pulling out all my freeform magnetic and premade palettes on a day off and getting busy swatching and rearranging them into new color combinations, so I thought I'd take you along for the ride; maybe you too will be inspired to browse through your collection and rediscover some forgotten eyeshadow gems.

I first started by selecting some of my favorite warm metallic shades that have remained in my stash after various declutters. I've mostly focused on single/ depotted pans from my Z-Palettes for this post, which means that I do in fact own more of this shade category but the eyeshadows are scattered throughout my premade palettes (you know, the ones I haven't subjected to fire + a sharp tool yet). I've also pulled some lighter warm shades I would use as an all over lid shade, and finally some dark warm browns for the outer corner/ lash line. All swatches were done with a finger on bare skin and photographed in indirect natural light - also, let me know if you prefer the shadow names as a caption under the photo or in the actual photo, like today. Let's start by the lightest warm shimmery shades, and medium matte transition/ crease/ blending shades:

Ah, MAC All That Glitters, that old chestnut. I was actually intending to declutter this shade as it tends to pull rather warm and peachy on me, but it's perfect in this subset, isn't it? Stila Spontaneous, from the In The Moment palette (reviewed here) is one of those shades that I tend to forget about easily, even though it's a beautiful color with a stellar formula, possibly the best one out of the whole palette. Too Faced Honey Pot from the Natural Eyes palette is the only true gold remaining in my stash - if you own the original Urban Decay Naked, Half Baked is nearly identical.

Inglot Matte 337 is one of two matte medium browns in my stash, and despite the appearance in the pan, it pulls almost peachy on the skin. TheBalm Sultry from the Nude'Tude palette is slightly deeper and more yellow. I threw in Catrice's blush in Rose Royce (reviewed here) to show that you really don't need the Limited Edition Too Faced Perfect Peach palette, if you're still lusting after one - I'm sure most of us have a matte or satin peach blush in our collection that can be easily worn as eyeshadow in the crease to warm up the look.

Now, those medium depth shimmery/ metallic shades are what I consider the eptiome of warm neutrals. I've roughly divided mine into two groups: the upper row in the photo above (and the first three in the arm swatch) are all more yellow/ orange toned, the bottom row all pull more red/ pinky peach. If you still own the LE Wet n'Wild The Gilded Age trio (shown here), all the shades in there are right on trend, especially the Eyelid and Crease Shades (the latter is shown in the next grouping). BareMinerals Truffle from LE The Finer Things palette (reviewed here) is another save from my declutter box; it's a gorgeous cognac/ chestnut shade that I'd like to incorporate into more looks. Lastly, the bronzy shade from LE Visee Bitter Brown quad (featured here) is the most neutral and sheerest of the bunch, so probably the most effortless to wear for my personal preferences.

Now, as for these pinky coppers, I actually find them easier to wear on myself than the previous three. The Eyelid shade from LE Wet n'Wild Dancing In the Clouds Trio (shown here) is a stunning penny copper with silver microglitters. Too Faced Push Up is my favorite shade out of the entire Natural Eyes palette; if you don't own that, I believe Urban Decay Toasted or MAC Sable are quite similar. Lastly, Fyrinnae Witchy Woodland Creatures may appear quite neutral compared to these other shades, but it does have a strong pink lean that warms up any eyeshadow look.

Dark warm browns - I only own satins and low shimmer finishes - is my smallest subset, and something I may potentially look into expanding in the future. I would mostly use these shades in the outer corner or very sparingly into the crease, or to smoke out a lashline. Look how gorgeous these are in a concentrated arm swatch!

BareMinerals Fate from the Truth quad (reviewed here) appears quite neutral or even cool-toned in the pan, but on my skin it definitely pulls very warm - yet another bM shade I forgot about, but it's going to be perfect for those warm neutral looks. Stila Whim from the In The Moment palette is a stunning chocolatey shades with almost burgundy shimmers, but the formula is a bit dry and not terribly pigmented. Now, another shade from that LE Wet n'Wild The Gilded Age trio; this one is the most shimmery of the bunch, again with those beautiful dark red shimmers. And lastly, the dark brown shade from Visee Bitter Browns - I'd say this one is more neutral than warm-toned, but I wanted to remind myself what it looked like when swatched.

And here's what my small Z-Palette looks like after this swatch session. I still use my theBalm Nude'Tude that I'm trying to pan this year every time I wear eye make-up, but I like to keep the small Z-Palette on hand to have more variety in my looks - I tend to rotate the shadows in it every couple of months or so. The only additional shades inside that haven't been discussed today are Too Faced Heaven, a matte ivory, as well as Velvet Revolver and Sexpresso from the Natural Eyes palette.

I hope you enjoyed this edition of Shop My Stash - I need to do these posts more often, it's a lot of fun to go play with my collection! What eyeshadow shades have you been reaching for recently? Do you arrange them in your Z-Palettes or reach for singles and specific palettes?